Sunday 29 August 2021  |  2:30PM


Australian violinist Rachael Beesley has devoted her life to the art of historically informed performance. As Co-Founder, Co-Artistic Director, and Concertmaster of the Australian Romantic & Classical Orchestra, she has worked closely with the late Richard Gill AO, and in 2006 she co-founded the acclaimed period ensemble Ironwood. She regularly leads chamber ensembles such as Ludovico's Band, Salut! Baroque, and Accaddemia Arcadia, and has performed on over fifty recordings for labels including Harmonia Mundi, BIS and ABC Classic.

Rachael joins Baroque cellist Natasha Kraemer and theorbist Simon Martyn-Ellis for a program showcasing rarely heard gems from the Baroque repertoire. Music by Bach, Corelli and Biber – presented alongside excerpts from Nicola Matteis' Ayres and arias from The False Consonances of Musik – will shimmer and sparkle in the high-resolution acoustic of UKARIA.


Johann Sebastian Bach (1685–1750)
Sonata in G for Violin and Basso Continuo, BWV 1021

I. Adagio
II. Vivace
III. Largo
IV. Presto

Nicola Matteis (c. 1640–1705)
Other Ayres and Pieces... The Fourth Part, London

Aria Amorosa
Diverse bizzarie Sopra la Vecchia Sarabande ň pur Ciaccona

The False Consonances of Musik

Aria I and II for Guitar Solo

Other Ayres and Pieces... The Fourth Part, London

Ground After the Scotch Humour

Domenico Gabrielli (1659–1690)
Sonata for Violoncello Solo and Basso Continuo No. 1 in G

I. Grave
II. Allegro
III. Largo
IV. Prestissimo

Thomas Ravenscroft (1588–1635)
The Three Ravens

Santiago de Murcia (1673–1739)

Georgiana Huntly McCrae (1804–1890)
Rachel Rae

Francesco Saverio Geminiani (1687–1762)
Scots Tunes


Heinrich Ignaz Franz Biber (1644–1704)
Sonata Representiva in A for Violin and Basso Continuo

I. Allegro
II. Nachtigal (Nightingale)
III. CuCo (Cuckoo)
IV. Fresch (Frog)
V. Die Henn and Der Hann (Cock and Hen)
VI. Die Wachtel (Quail)
VII. Die Katz (Cat)
VIII. Musqetir Mars (Musketeer's March)
IX. Allemande

Arcangelo Corelli (1653–1713)
Sonate for Violin and Basso Continuo in F, Op. 5 No. 4

I. Adagio
II. Allegro
III. Vivace
IV. Adagio
V. Allegro

Francesco Maria Veracini (1690–1768)
'Scozzese' Sonata in A for Violin and Basso Continuo, Op. 2 No. 9

I. Allegro moderatamente
II. Scozzese
III. Largo
IV. Un poco andante et affetuoso

Duration | Approximately two hours, including a twenty-minute interval.
Note | Complimentary afternoon tea will be served during the interval.


The wellbeing of our audience and artists is our first priority. We've implemented a number of measures to make your experience at UKARIA as safe as possible.


UKARIA holds an SA Health approved COVID-Safe Plan enabling us to host events at full capacity (220 people), provided all patrons wear masks.

Checking In

Upon arrival, we require all patrons to register their details for contact tracing. Checking in is quick and easy:

  • Download or log in to the free mySA Gov app
  • Scan the QR code (located in the concert hall foyer) with your phone's camera
  • Enter your name and phone number
  • Follow the prompts
  • Done – you're checked in!

If you do not have a smartphone, or experience any issues checking in on your device, don't panic: we will have a sign-up sheet available in the foyer where you can manually write down your details. Please see our front-of-house team in the foyer, who will be able to assist you.


All seats are general admission. If you require mobility-impaired access, please let us know by emailing [email protected] or phoning (08) 8227 1277.

Hand Sanitiser

Hand sanitiser will be provided in the foyer and temporary bar (see below for more information).

Entering the Auditorium

The doors of the auditorium will open approximately thirty minutes prior to the start time of the event. Please see our front-of-house team in the foyer, who will check your ticket details and direct you to an usher who will help you find your seats.


Architect Anton Johnson's design for the new alfresco space, visualised by perspective artist Michael Blazewicz

In response to the wonderful growth of our cultural program, our alfresco area will be reconfigured to provide a larger and more comfortable space for patrons to enjoy at all times of the year.

Our architect Anton Johnson has designed the space to maintain the existing atmosphere and connection with the landscape, and truly embrace the garden and surrounding views. The space will be fully enclosed, and will include glass sliding doors that can be opened on warm summer days and closed on cooler winter nights. A retractable glass partition will also give us the possibility to create a separate area for small dining groups, functions and pre-concert talks.

A polished concrete floor with in-slab heating will greatly enhance the experience for dinners and lunches. A beautiful hemlock acoustic ceiling (like the one currently used in the concert hall foyer) will reduce the ambient noise during periods of congestion and provide a seamless transition into the concert hall.

In order to facilitate construction for the upgrade, the alfresco area will be closed to the public from the beginning of April until the end of September. This will have a few implications for your UKARIA experience, and will affect this performance. We greatly appreciate your understanding and flexibility.

Temporary Bar:
Refreshments and Afternoon Tea

During construction of the new alfresco, refreshments and afternoon tea will be served in our temporary bar at the southern side of the venue, adjacent to the Ngeringa Vineyards. Please exit the concert hall and head towards the artists' greenroom. Our front-of-house team will be on hand to ensure you find your way.

Toilet Access

During April–September, access to the toilets will be through the concert hall foyer, adjacent to the main entrance of the auditorium, through what was formerly our staff office. There will be signage to ensure the entrance is clearly visible, and our front-of-house team will be on hand to assist you to find your way.

Disabled Parking

There are limited disabled parking bays along the driveway on the right of the property, however we encourage patrons who have difficulty walking up the garden paths to attend events with a friend who can drop them near the top before returning down to the main car park at the bottom of the garden. The parking bays near our alfresco (usually reserved for mobility-impaired access) will not be available from the beginning of April until the end of September.

Photo Credit:

Rachael Beesley: Nick Gilbert

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